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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Why I bought a Leica M10

7/22/2018

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Picture
I heard it all before, it is not worth the money, it is a camera made for people with too much money and too little ability, it is a status symbol.  And the crazy bit, each of these has an element of truth into it. The Leica camera is ridiculously priced and I did not purchase it for a full year after it came out. I could not bring myself to part with the money. I love my Leica ME and the M10 did not introduce too many new features that I absolutely needed.

But this year my wife and I celebrated 20 years of wedding happiness. When she asked me what I wanted, I could not think of anything else. With so many of my fellow photographers criticizing the purchase of the Leica M10, I thought I would openly explain my logic.
Picture
The answer can be found deep in my Lightroom archives. A few years ago, I wanted to see if it was necessary to carry three massive lenses on vacation.  I was shooting my Nikon D800 and usually took a 70-200mm, 24-70mm and 14-24mm lenses. So I went back to my previous three vacations, and had Lightroom tell me how many of the pictures I took were taken with each lens.  My next vacation I left the 70-200mm lens at home. Nice simple. I love the lens but I was not shooting it very much and it was not worth taking.

A few months ago I was looking back at some of my favorite images and I noticed an odd trend. The vast majority of my favorite images were taken with the Leica ME. I had several favorite images shot with my Nikon D800, however these were images I had planned, set up and prepared for. This was with the full tripod, remote trigger, lens filters and so forth. 
Picture
Now there is very little real differences between a Leica M10 and a Nikon D800.  Both use sensors and capture images digitally.  There is no logical reason why I would take different images with one camera versus another.

​You see it has nothing to do with the camera but it has to do with how I interact with the camera. 
In fact, it would have been much cheaper if I never saw the difference between one camera and another.  But I did. When I walk around with a Leica ME I do not really feel that I have a camera. I feel that it is part of me and that people will not be bothered with my use of it.  When I pick up my Nikon D800, I am clearly shooting and I know people will be bothered with such a massive camera pointing at them.
Picture
This picture above is an example of what I am talking about. It is not a wonderful picture, but it is a picture I would never have taken with the Nikon D800.  I took this picture, and several others, and the man to my right never even looked at me. These are the kinds of pictures that I take with my Leica that I do not take with my DSLR.
Picture
This picture above is one of my all time favorite shots.  I was in Covent Garden and was wondering around trying to get a good shot.  Not sure what it is with Covent Garden, but it is a wonderful place that is frustratingly difficult to shoot.  As I wandered around, I saw this entertainment show. Now I should explain that there are shows there everyday and they are selected carefully.  Only the best of the performances are allowed there.  

I found myself near the wall of a Church that sits opposite the Garden.  As I turned I noticed that a show as starting and I was behind the performer.  My instinct was to move but while I did, I pulled my Leica ME up and snapped a single shot and then I walked off for the show to start.

This image would never have been captured without a Leica and what is worse, I would not have gotten a good image of the Garden. 

This is what a Leica M gives me. It gives me the ability to shoot images I want to shoot, but a DSLR makes it impossible to shoot. So if I wanted to continue to shoot the images that I want to then I needed to continue shooting a Leica.

So why buy the M10?  Simply put, I wanted the better low light capabilities and it delivers. I would not have gotten it if it had come with a EVF, or some other gimmick.  I wanted a simple camera that got out of my way and allowed me to forget it was there. 

​Is it worth the $7500 price tag?  For me it is.  I am willing to pay this to continue to shoot the images that I love.  
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants