Film Still Photography
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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Shooting one film stock...

3/14/2023

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Picture
Shooting film is fun.  Yes photography is fun but the gear is fun and with film, it adds another dimension for fun...several actually! If you want to change the "look" or "feel" of your photography you can change your camera, lens or apply some filters on your digital images.  Essentially with digital, the look and feel is dictated in post processing.  With film you have another dimension or two.

With film, you can change your camera, lens and you can post process differently to add some feel.  But you can also use different film and different developers.  This gives you a great deal of nuanced control of the final product.  So with all this going for it, why do people recommend sticking to a single film stock?  

Well here is what I have found in my ten year journey with film (not including my childhood before digital came to be the norm).  Understanding how a film will perform and being able to predict how a film will perform are two different things.  It is like renting a car, you know that if you push the accelerator the car will accelerate in the direction that the wheels are pointing. But how fast, with what delay and power is completely unknown to you until you start driving it.  Then, after 10-20 minutes you become accustomed to the "feel" of the car and can drive it in a predictable way.

With film it is the same thing....except that it takes a bit longer than 20 minutes....it takes about 20 rolls or more.  And the reason is that you need to play with it until you are familiar with it.  If you take the film and only shoot at box speed, always develop the same way and never shoot at night then you will not learn anything from your 20 rolls.  You need to take a few rolls to shoot at box speed, then push it one, two and three stops.  Then you need to pull it one, two and three stops....you need to shoot it at night, you need to make mistakes and learn what you can do to walk them back.

After your 20 rolls of well tested film stock, developed in the same developer you begin to have a feel for it.  You know what to watch out for and when to push the development time just a little to get you that extra pop in contrast.  Once this is under your belt, you have one less thing to worry about.  Now you can focus on getting to learn that new camera you just bought...or try out that home made coffee developer you have been hearing about....

But whatever you do, have fun and don't take your results so seriously.  If you are not making a living out of photography, and you enjoyed taking the picture then that is half the fun.  Even if the results are not what you intended!
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Wabi-sabi: Why Art is Imperfection

3/13/2023

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Picture
This image that I captured on a Digital Leica M9 taught me a great deal about art. At the time I was living in Surry England and a few minutes drive from my home was the Windsor Great Park.  For a photographer, having such an amazing place a stone's throw from my front door was paradise. I loved living in England...hated the taxes but loved the place.

Back to my image....I went to Windsor Great Park one grey day (most days are indeed grey there) and managed to work my way to some ancient Roman ruins, originally from Libya that were gifted to England and ended up being placed in this park.  While looking for a new angle it began to rain.

As you can see in the picture below, there is a tunnel at one end of the ruins where I ducked into, so as to avoid the rain. Then I waiting with a group of like minded, rain avoiding, people.  You can see in the image above the soaked ground that surrounded us. Then I saw this lady walking with a bright red umbrella and I was amazed at what an amazing image it could make.

I grabbed my camera and began shooting.  The problem was that it was not perfect. You see the umbrella, while a wonderful red color, had some propaganda on it in bright white letters. The lady was not alone, she had her son with her.  So the moody picture that could have been was ruined by media print and with an even number of subjects. 

I quickly got home, and used Photoshop to create the image that I really wanted to have taken. I wanted color, I wanted the lady to be alone and I needed all that white lettering removed from the umbrella. So I manufactured the shot below.  It is a composite of two images that I took, I removed the kid, I removed the lettering and voila I had the image I had pictured in my mind....I had ART!
Picture
I hated the image.  Each time I looked at it I saw my Photoshop skills.  I remembered the frustration that I felt that day as the world would not give me what I wanted.  I spent a great deal of time thinking of this image.  I then realized that the image was far too perfect and became a poor imitation of the scene.  

As with most creative pursuits, we assume that we are traveling a unique journey but we are not. What we have learned has been learned and taught be others before us. We can learn allot by lifting our heads and asking the questions that bother us. Had I done this I would have learned allot more, allot faster.  But I had to pursue my own journey and it was only years later, that I heard of Wabi-sabi.  

Wikipedia: 
In traditional Japanese aesthetics, wabi-sabi (侘寂) is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent in many forms of Japanese art.

Since this shot, I have tried to limit my intervention in the image. I add contrast, I darken and lighten as needed, and will crop an image to improve composition.  I don't have a list of hard rules but have instead taken a moment, before editing, to ask why.  And take the time to see the image for the beauty that is there.

Below is an interesting example. The first image is the one I wanted to capture. You can see where the bike rider is, this is the first shot in the series. I cropped out some action that was happening on the right of the man with an umbrella.
Picture
This is the image I wanted to have. The man is looking straight at me, he is separated from the bike rider, and no one else is on the street.  He is caught in mid stride as he walks towards me. The classic house int he background, wet pavement and confident gait of a young man is what I wanted to capture.  Below is taken a second later without cropping...
Picture
Clearly he is no longer alone, his gait is now changed, the bike rider is farther along.  There is a story in either image. My search for what I wanted to capture is in the first. In the second I captured what was there.  

The understanding I have thus far come to is the following.  Edit as little as possible.  Find the beauty that is there instead of manufacturing your own. The world is an amazing place all you need to do is see it.  
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    Patrick...confirmed film & digital photography addict.

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  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica iiif
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • Square Composition
    • Leading Lines
    • Symmetry
    • Framing
    • Keep the Right Strong
    • Single & Multi Elements
    • Color in Composition
    • Deep Dive Bubble Man
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
    • HCB The Decisive Moment
    • Zambian Portraits
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
    • Diane Arbus Girl Sitting in Bed
    • Paul Strand Wall Street