Film Still Photography
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Travel & Photography: A Short Historical Look

8/4/2018

0 Comments

 
Picture
I ran across the photography above while doing a history "string" search.  This is what I call it when I find something interesting and begin searching for more information than is readily available. This takes me from one person or event to another, as I trace back the "strings" that link all events and people together.

In this particular case, I was searching for the "Ross Sisters" and act of three very talented sisters that became popular in the late 1940's.  This is one of the sisters after her performance life had ended with her husband.  This picture really struck me because it is a perfect travel portrait of the 1950's as we see the airliner in the background, the couple is dressed up and all smiles. 

This got me thinking about today's travel portraits, so I went on Unsplash to see how modern photographers interpret the concept of travel.  
Picture
Here is a shot by Photo by Tyler Nix found on Unsplash after entering the search for "Travel".  Tyler has a nice shot here, balanced colors, nicely cropped with a young lady writing in her journal. 

This is rather typical these days, as the reason for travel seems to be more about a search for solitude than anything else. The theme seems to be about being where other people are not, surrounded by nature, and the young lady writing about herself or her experiences. 

The clothing is suited for the activity, backpack, hiking shoes and layered clothing. She seems perfectly well prepared and in her element. 

In this Photo by Steven Lewis we see a different shot but an echo of a similar theme. We have a young lady in the middle of a chaotic street scene, daypack on her shoulders and alone.  There is no interaction of the shot, even as she is surrounded by people, she is isolated from where she is at. 
Picture
So how has travel and travel portraits changed over the years? This seems to be a topic fit for a dissertation and something that could never be properly covered in a blog post. But I still believe it is worth looking into, however superficially it might be.

Travel photography has changed, because our notions of travel has changed. In the 1940's the world was at war. People were focused on helping the war effort, or surviving it. As the 1940's came to a close, a booming economy developed as the world rebuilt itself. As the 1950's came, people had money and wanted to travel to see the world. Aviation had gained considerable ground during and after the war so people took to the skies.    
Picture
What used to take weeks on a ship, could now be flown in a few hours.  Look at this clip here from PanAm and how they advertised that Europe was a mere 6 ½ hours away! 

Tickets were expensive, but people were earning more money. Airline travel was a status symbol that upper middle class people were quick to embrace.
Airliners competed to offer a more opulent experience, catering to upper class people by promising luxury.  Flight attendants and pilots were viewed as people embracing the modern era. These were the jobs of the future. People, focused more on the travel and less on the destination. 
As travel was now the new social status symbol, people dressed the part. Everyone was dressed well, men in suits, women in dresses and hats. The act of traveling itself was more important than the destination. The brochures that did focus on the destination, had a very different vacation in mind than we do today.
Picture
Picture
The target audience for far off travel was middle aged, established families who wanted to bathe in the status of air travel.

The images in brochures focus on the travel itself, or on the interaction, in a luxury setting of course, with locals. Families were shown frolicking in the sun, or taking pictures of local sights. 

In each of these, people were dressed well. Even looking at my own grandfather's pictures of his vacations, he is always dressed in a three piece suit and the women are similarly dressed. 

​People took travel seriously, and dressed the part.
We see this approach to travel throughout the 1950's, 60's and into the 70's and then things begin to change. In the 1980's the goal was to bring travel to the mass population. Competition from rival airline companies was making it impossible to only focus on the upper class. If they wanted to grow, they had to find a way to make it affordable. 

Cheaper fares meant putting more people on board the airplanes, this meant less room and less time for service. Airports needed to find faster ways to move people around, tarmac boarding of planes took too long. Skybridges were created, separating you from the mode of transport you were using. 

As we enter the 1990's we see the transformation accelerate and as airplane flights became more economical it lost the social status it once had. Airplane safety became a concern with hijackings and accidents. Entering airports became less of a runway to show off new fashion and became a security process. In short, people began to hate travel. And so we focused on the destination.

And so our notion of travel changed and we began reconsidering the destination and reason for travel. A concept began being perpetuated that travel means personal growth. Young people finishing high school began traveling before university.  This began extending to young people looking for ways to continually travel.

YouTube today is filled with "van life" concepts or "making money while traveling". The goal of travel is no longer about a destination it has become a way of life. The social pressure is not about buying a house, having kids or even getting a good job.  Social pressures are about how to avoid all of those things for as long as possible. 

As travel changed, so too has our approach to travel and our images of it as well.  So the next time you look at an image of a young person living out of a van, or finding themselves in some small isolated town, hut or mountain, you know the history of how they got there.  My only question is where will they go next?
​
0 Comments

    Author

    Patrick...confirmed film & digital photography addict.

    Archives

    March 2023
    January 2023
    March 2022
    January 2022
    December 2021
    November 2021
    October 2020
    August 2020
    June 2020
    May 2020
    April 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    June 2019
    May 2019
    April 2019
    March 2019
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.
Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants