Film Still Photography
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Salzburg, Austria

Ilford HP5+ Shot at ISO 200

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I have been shooting HP5 PLUS at ISO 400 for a few years now. I typically shoot it at ISO 400 but have occasionally pushed it to ISO 800. I have seen people push it much farther than that. Recently I have been seeing some comments on forums, indicating that HP5 PLUS gives a better rendition when shot at ISO 200.  Always up for a bit of an adventure I thought I would try it out.

 A few definitions that will help us understand each other. ISO or ASA is that standard that the film manufacturer recommends for the film.  EI or Exposure Index is the ISO or ASA that you set your camera to. So you can shoot an ISO 400 film with a EI of 200 which means it was exposed as 200 film.

Second, I am not pushing or pulling this film. I am shooting the film at an EI different than the ISO recommended by the manufacturer. So I will expose the film at a 200 setting but will develop the film as if I had exposed it at 400...almost.  Let me explain:

I developed this film using Kodak D-76 at a 1:1 ratio (1 part developer to 1 part water).  HP-5 is rated to be developed for EI of 400 for 13 minutes at 20 deg C.  I decided to reduce this by 10% and develop it for 11:40.  

All images below were shot on my OM-1 50mm lens in Singapore. All at an EI of 200 and developed as above.

The thing that jumped out at me is the tonal range that I managed to get.  It seems smoother and more varied than I usually get.  The grain seems finer as well.  The blacks are a bit under done but this is easy to get back in the darkroom. The whites are not blown out and continue to show detail.  All told, it looks like I have a favorite EI for HP5....it only took four years to find it!
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  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants