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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Voigtlander 15mm Super Wide Heliar III for Leica M

12/10/2016

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On a recent trip to Paris, a friend of mine was kind enough to lend me a Voigtlander 15mm version II lens for my Leica ME. He also lent me a Leica 28mm which he thought I would fall in love with. End result, I prefer my Zeiss 35mm to the Leica 28mm but I fell in love with the 15mm. The lens was not perfect by any means but it gave me some interesting perspectives that added a bit of spice to my images.

When I got back I began doing a bit of research and found that three versions of this lens has been made. The original, now labled as ver I, did not work well on Leicas. The ver II, helped a great deal but it suffered from color fringing on the edges and it was not coupled (no way to check focus). The ver III was supposed to fix all that.

After a few months of saving, I picked it up as a combination birthday and Christmas present for myself. The lens made massive improvements, and while still not perfect, it is a much better lens! 

One thing that has confused me is that ALL the reviews I have found for this lens are for the Sony E Mount.  Apparently with an adapter you can use this lens on the Sony. I did not see anyone discuss how this lens performed on a Leica M camera.  So I took a leap of faith and purchased it.  I have not had it too long so I cannot write up a complete review of it but here are the initial findings.

1. The version III is coupled. You can focus it on the Leica just like any other lens. This is an improvement but not as big as you might expect.  With such a wide angle you can zone focus without an issue.  Putting the lens on f/8 pretty much gaurantees that everything is in focus.  If you open it up to f/4.5 then you have to be more careful. 

2. The color fringing is now fixed. This version can be used in color. The problem with the previous versions is that color was not an option unless you cropped it a great deal. If you only shoot in B&W then this is not a problem. The old version is a better choice and here is why...

3. The new version is MUCH larger than the previous versions.  One reason my friend likes the 15mm is that it is so small it is easy to toss into your camera bag and take it along. This version is larger, in fact it is larger than my 35 and 50 mm Zeiss lenses. 

4.  Image quality is spectacular BUT you must know how to shoot with it.  There are small tricks to really get the most out of this lens but that is a topic for another post.
Picture
This image was taken in Paris using the old Voigtlander Super Wide Heliar II. You can see the purple fringe on the right and left of the image. This is impossible to easily fix on Lightroom or Photoshop.  This is the NUMBER 1 reason that you should spend twice as much and get the Version III. If you look below you can see the B&W version is not affected by the color fringing.
This is the shot where I fell in love with this lens and also the one the convinced me to go with the newer version. You can see the amazing perspective this lens gives you. In B&W it is perfect and gives some clean lines. I did not want to invest in a lens however, that would only be useable in B&W.
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To the left you have a shot using the new Version III lens.  Check it out!  NO Color fringing. A perfect shot.  I did do some basic corrections to the shot but nothing to do with color.  Also note it was very early in the morning so I was shooting in ISO 800 which for the Leica ME is a stretch.
The shot to the right, the one of the cow on a balcony, is an excelent example of what this lens is capable of.  As you can see I was shooting into the sun (off to the left) and look at the buildings on the horizon. The are dripping with detail. From the center of the image, out to the sides of the bush and building tops, the lens is sharp! Flare is controled (not an easy thing with a 15mm lens) and the color rendition is perfect.
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Thus far I am extremely impressed. With my Nikon equipment I have the Nikon 14-24mm f/2.8 which is a mother of a lens. It is large, heavy but amazingly sharp. It also weighs as much as the camera itself. This lens is small, albeit bigger than its predesessors, and sharp. I would like a stop or two faster but the size would make it unmanagable.  It will not shoot most of my pictures, as my 35mm and 50mm will continue to carry that burden, it will however add a special perspective to my images. It is a niche lens but does it wonderfully.

For those of you who have never shot with a Voigtlander lens do not fear. The quality is top notch and the glass is amazing. I am pleased with my purchase and while I have not had enough time to know the lens in and out, what I have seen, impresses me a great deal.
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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants