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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Travel Photography Part 4: Post Trip Ritual

6/24/2017

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Picture
Everyone has their own post trip ritual and I am no different. At the end of each trip I unpack all my camera bags and lay everything out on my desk. I then set up my back up drive and copy all the files onto my main drive.  I will need another post to describe my back up set up but suffice to say I have three drives in two different locations.

While the files are backing up, I clean all my lenses and cameras.  I do not clean the sensors again unless I spotted (pun intended) an problem. Most of the cameras will get a rub down with a lint free cloth. This is to wipe off any oils or moisture that was left on the cameras. 

The lenses get a full cleaning.  Once completed I put all the cameras and lenses into an air tight tub with a Desiccant moisture absorbing package. The idea is to remove any moisture that has found its way into the equipment. I will leave the lenses off my cameras and leave them all uncapped. I leave it this was for a minimum of two days but often times will leave it this way for a week if I was in a very humid environment. 

On the next sunny day, I will expose the lenses to some direct sun light.  I have a UV light which I can use in a pinch but find that laying them out in direct sunlight works much better. The idea here is to decrease the chance of fungus growing on my lenses. I have some old lenses which are more prone to fungus, exposing it to some UV light helps a great deal. 

I then clean all the peripheral equipment such as lens caps, filters, cables, tripods and tripod heads. This is your chance to get all the gear in good working order.  I will also charge my batteries or remove any batteries from equipment which will not be used in a short period of time.

I catalog the film rolls and put them together according to film type and ISO shot at. I will then plan my development plan and mix fresh chemicals. I will then slowly get through all the film.

Finally I scan the negatives and select some key shots to take into the darkroom. 

That is it. Nice and simple but with a little Tender Loving Care I ensure my gear is ready to go. I enjoy the process and I do not see it as work. It is part of the entire trip enjoyment. 
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants