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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Travel & Photography Packing

9/11/2016

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Picture
*The photo above was not taken by me. It was purchased from 123rf.com.
I have been bouncing around the world for the last 12 years and through a great deal of that I have been carrying my photography equipment with me. As proof of my experience I can show you a wall of camera bags, each purchased while looking for the best bag possible! I can also show you hours of YouTube video watching from a variety of experts telling me what to pack and what to leave behind. 

I began making the typical beginner mistake and tried to carry it all. I had a massive back pack, every lens I owned along with filters, tripods and various triggers. After a few trips I decided I should see what the experts told me to do. The vast majority spoke of traveling light and so I began changing.  I would take a ton of gear and leave it in the hotel with a smaller "day pack" to carry around with me.

Then I changed over to a truly light carry philosophy where I only packed one camera and a couple of very small lenses.  I was light, care and fancy free. But here is the thing...I missed some shots because I did not have the right gear. Was it a massive loss? No, but I kept asking myself what the reason for my travel was.

That is the trick of it, I have discovered.  You should understand what is the purpose of the trip. On most of my business trips I take nothing but my iPhone and sometimes my Rollie 35. On a trip to visit family, a simple film or digital camera with a 35mm lens usually works. Going to the beach? One camera and one lens as I do not want to be tempted to change my lens with all the wind and sand.

A family vacation? That all depends on the destination and method of travel. If we are going to be in the middle of Paris and just walk around to see the sights I will allow myself to carry a bit more. If we are going to be jumping on and off buses, trains or taxis then I prefer to go very light, one camera and a couple of lenses.

I never take more that one film and one digital camera. Ideally I select the set to be able to share lenses. My Leica M6 and my M9 are a good example. My Nikon D800 and my Nikon F3, F4 or EM is another. 

I will always google the place I am going to in order to create a image list. I then see if a telephoto would be in order or if I should go wide angle. New Zealand cries out for a wide angle lens but a city like Paris calls for some street photography with a normal lens. Going to shoot sports or wildlife...telephoto it is.

Out of everything I have learned, below are the only "never break" rules.
  1. NEVER check your camera gear. They go with you on the plane. If you will exceed the carry on weight limit try dividing the gear with other family members.  Cant do that? Then check things like tripods, cleaning gear and filters. Keep the camera and lenses with you. Still over the limit? Cut down on gear.
  2. Cover all brand names with some tape. I know it sounds odd but camera thieves typically do not know a camera from sight. If they see a Nikon, Cannon or Leica they know it costs some money.
  3. The gear always touches you. Never put the camera bag on a chair beside you. Keep the bag at your feet with the strap around your lap. It has become second nature to me so I do not even have to think about it.
  4. Want to take a picture? Stand back for five seconds and look around. Are there other people with camera gear? If so proceed carefully. Are you alone, are there odd people around you? Skip the picture.
  5. Get insurance. Try your home owners insurance or your car insurance or go on line and see what you can find. Spending USD250 for a two week trip to protect 10K worth of gear is a GOOD investment.
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants