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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Streets of Jakarta Roll #1

11/8/2017

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Picture
Everyday I jump into a car and am driven to my office. Many people here in Jakarta have drivers as the traffic is horrendous. So each day I sit in the back seat and watch the streets of Jakarta fly by. Countless times I am wishing I had a camera with me as I watch some wonderful scenes go by. 

I decided to give myself a bit of a assignment. I prepared one of my Nikon F3 with a roll of HP5+ film with a EI of 3,200. I want fast film to be able to set a fairly fast shutter speed and capture some scenes with a minimum movement. The assignment is to take it everyday to capture images from the back seat of the car. This is not street photography as there is no way to interact with my subjects, but it will give me something to do.

This is a raw test because I will be trying a few new things. First, I will be shooting from the back seat of a moving car. Secondly, the windows of the car is tinted so there is a light restriction. It is very hot so there is no way I will open the window. Finally, I am not sure of the quality of images I will get at EI 3,200.  I have done it before with mixed results. In dark environments with heavy shadows it works well. But in daylight it ends up creating too much contrast.
Picture
On the back of the camera, I have labeled everything I will need to know to develop and understand what I was trying to do. This tape will be used around the canister that holds the exposed roll.  I will then transfer it to the negative carrier that I use to film my negatives. It gives me everything I need to know and I have left room to note the results and any deviations i have made during development. 

The results were interesting.  I used Stand Development in Rodinal for one hour. This was simply because I did not have enough ID-11 to develop the rolls I had.  Usually I prefer stand development for low ISO films.  In this case I was shooting an ISO of 400 and an Exposure Index of 3200.

Amazingly I thought my issues would be the glass reflection and the movement of the vehicle however in the majority of the frames, it was the tough composition angles that threw most images off.  Below are some of my favorites of this roll.
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants