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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Stonehenge...Photography Recommendations

6/7/2017

4 Comments

 
Picture
If you are an iPhone shooter or a point and shoot photographer you will find Stonehenge very friendly and easy to photograph.  You will not be allowed up to the stones and this vantage is about as close as you will be able to get. The good news is that it is plenty close enough for good selfies or nice shots to post on Instagram (I posted a few myself).

If you are shooting with a bit more gear here are my thoughts.  Take a tripod, they are allowed and even when there is plenty of light there is a reason to take one.  There is plenty of space to set up and no one will push you around.  A 28mm lens will get you the shot above. You will have people in your shot, and there are three ways to deal with this.  First is to make them part of your image. It helps show dimensions after all.  Second option is to photoshop them out.  I did that in the image above.

Third, and more interesting is to take a tripod and take a shot leaving everything exactly the same.  Wait for 30 seconds and take another.  Do this for four or five images.  Then stack them in photoshop and erase out the people.  Since people move it is easy to get rid of them.  
Picture
One difficult aspect of shooting Stonehenge is finding something a bit more unique. The required shot (the first one on this post) is a must but once captured you kind of fumble at a different shot.  One option is to go in close so a telephoto lens will be useful.  The other option is to go wide....very wide like the image below.
Picture
4 Comments
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10/13/2017 05:10:28 am

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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants