Film Still Photography
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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Romantic Image...Part 2

4/5/2017

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Picture
Following on my theme of romantic emotions that images can create, I come back to Lartigue and Bibi. Here she sits in the passenger side of a car in the late 1920's. You can see the top is down, she has an expression of pure joy, and we have what appears to be a beautiful day.

Again we have a nostalgic feel for a car from a different time. This was not built for transport, it was built for pleasure. Obviously Lartigue always shot the upper class and he was often criticized for it. Even today there are people who consider his photography as a second class to other masters simply because he shot the joy of upper class society.

In the memories of experiences we never had, we picture the wonderful life of the wealthy. We do not ponder the challenging life of the lower classes. Lartigue's photography feeds that imagination. Capturing a simple image, like the one above, fills me with happiness and a desire to do something for the pure joy of doing it.

Documentary photography is meant to capture events, as they happen. Travel photography, some art photography and even vacation snapshots are meant to remind us of a happy time even if we were not even there.

My Grandfather had an old green Fiat. It was the last car he drove and it reminds me of trips to the countryside to a vacation house and trips to the ranch. When I ran across a similar vintage car I had to stop to take a few pictures. While this picture means nothing to anyone aside from me, it reminds me of that green Fiat and the trips we took in it. The emotion of seeing it approach and leave.
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants