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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

My Photo Deep Dive...Living at Work

11/10/2017

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Picture
This photograph was part of my "Streets of Jakarta" photo story.  I explained this in last week's post, but essentially I decided to take a camera to and from work with me to see what images I could capture from the car.  

Safety First:
I was not driving.  All shots were taken from the back seat of a car and NOT from the driver's position.  That would be irresponsible.

Photo Story:
Simple concept, this is a project where I take a series of detailed shots to help capture a feeling and series of emotions.  These images are not about telling a story to someone else, but a way for me to trigger memories in the future.

I uncovered this idea when I was looking back at some of my older images where I was testing new cameras.  I would have them delivered to my office, load a roll of film and shoot it quickly on the way home.  Then I would develop to see if the camera was working well.  The curious result however, was that I captured some scenes from my daily commute that now bring back a flood of memories.  Nothing worth writing home about, but something that helps me remember my own story.

Deep Dive:
This picture was captured using a Nikon F3, set to Aperture Priority mode, with a 50mm f/1.8 lens on HP5+ film exposed at EI3200.  This allowed me to capture fast shutter speed to make up for the movement of the vehicle.  

I pass these men everyday on my way to the office.  Effectively the construction of this building is ongoing and the workers are living there.  So their rooms are open to the entire world, giving me the chance to glimpse into their lives. Where they wash their clothes, to how they sleep.  There is a strong communal atmosphere but also an appreciation of alone time. 

Some mornings I see the chatting and smoking together while at other times I see them sitting alone, staring at a wall.  I have no idea what they do or how they determined that living in this way was the best option for them.  All I know is that they have given up privacy and are living in a rather squalid environment and it reminds me of how lucky I am.  

This picture is take from a purposefully wider vantage point, I did not was a voyeur look to these images. I framed the shot at an angle because I wanted it to appear natural. I could, and indeed did, take the image from the front but it appears too artificial. Shooting at EI3200, coupled with a semi-stand development process helps give me the contrast I was looking for.  

I was able to capture the three men sitting together smoking as well as another three sitting alone. The cables, wooden scaffolding and street sign all give it a sense of place. While the rudimentary living conditions are clear the image is not intimate. We are still seeing the image from relative safety, we are not close up with them. We are removed. 

The offset angle of the shot adds tension to the image. This is a quick glance, not a contemplative stare. It is fast moving, and the viewer is just glancing in. It is an alien lifestyle to us, and we are grateful for that. But these men, they still make up the fabric of the family of man. They still value friendship, and solitude, they still dream of a better future and wonder what tomorrow will bring. 
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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants