Film Still Photography
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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Memorable Portraits...Part 1

4/13/2017

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Picture
So I have recently been looking over and posting about romantic images, by which I mean images that convey a clear nostalgic emotion. I then began thinking that I will be vacationing with some family soon and that I would like to capture some memorable portraits.  So, time to deep dive some Memorable Portraits!

This one comes from Jane Bown was a famous photographer for the Telegraph here in England. She was known for the portraits of the powerful and famous.  She never took too many images and usually could get what she wanted in a few shots. She did not like to waste film!

Here we have a wonderful portrait of Orson Wells taken in the 1950's.  This is an amazing photograph. The intensity of his eyes is impossible to imitate. He was angry and did not want to waste time with a portrait. She captured his intensity and she did it very naturally. The lighting is perfect with only his face being lit.

While in this image, Bown captured sheer intensity of Wells, the real quality of this image is made by the lighting. The complete blackness makes his face appear as if it is floating. Portraits are about two things, lighting and facial expression. The rest is details.

Below is an image I took of my wife in a bar. We were sitting next to a massive window with reflected light bouncing into the bar. My wife was a bit tired and thinking back to all the sites we had visited. I pulled out my camera and stole this image. The expression is very pensive and the lighting was perfect. 

Lighting & Expression.....the rest is details...

Picture
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants