Film Still Photography
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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Film Camera Gear of the Masters...

8/26/2017

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Picture
A tough wake up call of buying an old film camera is that you are shooting the same camera as the masters used to shoot.  A Leica M3 and you are using a Henri Cartier-Bresson favorite, shoot a Olympus OM-1 and you are using a Jane Bown's camera of choice, shoot a Nikon F2 and you are using the camera Steve McCurry used to shoot 'The Afghan Girl".

Gone are the megapixels, focus stacking and the electronic wizardry we have learned to love. All they used was a box with a lens and some film. The result...images that will stand the test of time. 

This is one aspect I love of film photography, all you have is a mechanical devise and a bit of film. Everything else you bring as the photographer.  This is also why I am so impressed of the masters of film photography.  While digital photography is wonderful, I never know if I am looking at what was shot, or what was made in post processing.

In the traditional darkroom, all you can do is darken, brighten or crop. Nothing else can really be done without bringing the image into a computer. So what you see is what was there when the image was taken.

If you are on the fence about trying film photography, check out a photography book from one of the masters shoot between 1920's through 1970's and you will be floored at what was possible with the most basic equipment. Then, when you realize that you can buy the SAME equipment you will begin to understand the thrill of shooting a film camera!
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants