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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Creative Slump Fix: Recipe 1

1/7/2017

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Picture
Everyone has creative slumps, some call it lack of motivation, dead batteries or a lost muse. Regardless of what you label it, the result is the same...you have forgotten how to view the world with an artistic eye. The internet is filled with different ideas for you to overcome this stage. I have often found that the best solution is a step by step recipes.

This morning, I awoke to find my muse gone. She abandoned me completely, I honestly believe that she takes a vacation in January. There is something dismal in January, the cold, heavy clouds, short days coupled with the post holiday blues.  As I woke up and looked for my muse, I began to worry that the weekend would pass without accomplishment. 

So I decided to give myself a little project. One that I would work through, not for the end product but for the artistic process itself.  So below is the recipes I used, feel free to adjust to suit. 
  1. 1 x freshly rolled roll of HP5+ (ISO 400) film.
  2. 1 x OM-1 with a new (to me) 50mm f/1.8 lens.
  3. A house filled with three kids, a dog and wife all getting ready for the day ahead of us.
  4. A challenge to shoot the everyday gestures of a house getting ready.

The first issue is that we were up at 08:00 with a thick layer of clouds which gave very little light. It was that white, flat light that is so typical of London in January. It offers soft shadows and deceptively little light. It is cold light.  Even at an ISO of 400 I was not going to capture anything. I decided to push the film to ISO 1600 (the limit of the light meter on the OM-1). This will give me heaps of grain...

The second issue is that even with this setting I was going to struggle to keep my light meter happy. So I decided to ignore the meter and let myself under expose to my hearts content.

I burned through the roll in a couple of hours. I shot images of the different details that my mind used to define a Saturday morning. The bare feet of my children, the warm cup of coffee, my wife drying her hair and that cold, flat light.  I let this dismal light trickle into each of my photos and I let it light up what it would and accepted the plentitude of shadows.

I laid in bed, with my camera listening to the noise of the house waking up. I watched the scene around me and waited. Then I saw a foot, a mirror and a wonderful reflection. I composed the image in my mind, I stripped out the color, I noted the dull light and picked up my camera....click and my muse came back. I believe she realized that I was not going to go back to sleep, I was going to find gestures, capture them in whatever light I happened to find and accept the results.

I will share some of the images tomorrow. Maybe one or two will justify the entire effort. Tomorrow I will leave the house and go back to a nearby park. I will try to photograph the people and the gestures of the park itself....
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants