Film Still Photography
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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Analog on Digital

10/20/2016

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Picture
Shot taken by my son Lucas.  A great capture if I do say so myself...
​
So I have been playing with my new lens a bit and have discovered something I did not know before.  I thought I would share it just in case there was someone out there who was in the same, blissful ignorance I found myself in...On the Nikon D800, and I presume many other digital cameras, I found a menu option which allows me to semi-program old analog lenses.  If you did not know you could do this then read on, if you knew then you can stop now and check out some cat videos on YouTube HERE.

For those blissfully ignorant check this out....If you go to your menu, down to general settings (the little wrench icon on the left panel of the menu options) there is an option called "Non-CPU Lens data".  It allows you to program up to 9 different lenses with the focal length and the maximum aperture. Once done the camera will know what aperture setting you used.  While this will not correct for lens anomalies at least you will have a record of the shutter speed and aperture of every shot.  I thought this a useful tool.  You can see this rather intelligent person put in a useful video of it 2 years ago!  Man I am slow.  See it HERE.

For those keeping up I have burned through my first two rolls of color film!  Shooting out here in the Lake District is wonderful for color.  It did bring up a question about the use of color as a composition tool.  I will be doing a bit of reading on the topic and will see how this plays out once I get my film developed.  I will share when I can.  
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants