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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

A Day in London

12/22/2023

1 Comment

 
Picture
I love photography projects.  I have started hundreds but finished very few.  I have written about why I like photography projects as a way to delve into a particular aspect of the photo narrative.  But I have never openly admitted my almost universal failure at these.  So here I am, ending 2023 a bit less burdened by my guilt. 

The one project that I keep turning to that keeps working is the idea behind "one day in...." the place changed depending where I. am living or where I am traveling to.  But the great thing about these projects is that they are finished in a single day.

One such project was done in London.  I keep going back to the work I created over these eight hours and I  keep finding new things to like about it.  So now that I am about to start a new study in Small Town Texas, I thought I would dig back through these photographs and explore London again...while sitting in Houston.
Picture
This is a shot that I love. I took several cameras with me that day, and here I am shooting with a Digital Leica.  I put on a wide angle lens and captured this image.  In post, I made it square and did a B&W conversion.  I love everything about it as it makes the subject small compared to the black. The wonders of an industrial super power can be made to look small.
Picture
Here was my trip home after a full day of taking pictures.  I loved the reflection of this woman daydreaming as she sees the city of London go by. The color rendition of this camera is mind boggling good.  I need to shoot more with it but the sensor needs a good cleaning...
Picture
Not all street photography must be in B&W.  Here I could not help but love the colors from the bright to the muted. A simple scene, but one so difficult to capture in a photograph. The trouble with life is that it does not photograph well....
Picture
There is the book called "Look Up" or something similar about a couple of photographers who go around the city shooting what is up.  Most people focus on their feet and never look to the heavens and appreciate what is there...not metaphorically but just looking up and seeing the buildings.  I was contemplating that as I  toured London that day.  Here at St Paul Cathedral I looked up and found this wonderful convergence. Lines, art, strength and textures all combining in the deeply tonal scene.  
Picture
One of my last shots of the day.  I would turn around shortly after this picture was taken and walk to Waterloo station and grab a train home. I arrived around 08:00 am and lefts after 5:00 pm.  It was full day of shooting and it seemed right to end it with a frivolous photograph.  This one, where the man is making bubbles in front of the backdrop of the city of London seems right.  
1 Comment
Matthew Antonellis link
12/22/2023 08:09:12 pm

Patrick -

I'll start with THANK YOU in all caps. I just took two hours of quiet time to read all of your blog entries from 2016 to present. I will admit that I skimmed half and read the other half in full detail. Of course I read full-entries when that particular topic was of interest to me - and many are. I made notes of photographers you like so that I can have a look at their work and read up on them as well; in some cases watching a documentary. One of my personal favorites is Berenice Abbott. Overall, I must say that I'm in agreement with you on so many important issues you have written about: just getting out to shoot, reading when you can, the art of it, the documentary style, digital vs analog, photoshop vs darkroom, old cameras vs new cameras, big prints vs small prints, HDR or not (I don't). Sticking with one film (in my case four films: two B&W and two color) Ilford FP4, FUJI ACROS 100, KODAK EKTAR 100 and FUJI COLOR 200. I have a dozen cameras, only two are DSLR; I develop the B&W films at home and send out color films for processing. The reason I want to send a BIG thank you is because you have - not only - put in the many hours into practicing and educating yourself in the field of photography, but that you took the time and care into writing so many lovely articles online for others to read! It's especially nice of you to discuss "failure" as a part of the journey. I'll leave it there for now, and say in closing: how refreshing it is to hear from a photographer who simply writes what they know to be true for themselves - your technical advice comes through clearly without sounding dogmatic. sincerely, Matt Antonellis (Everett,WA)

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  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica iiif
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • Square Composition
    • Leading Lines
    • Symmetry
    • Framing
    • Keep the Right Strong
    • Single & Multi Elements
    • Color in Composition
    • Deep Dive Bubble Man
  • Darkroom Lessons
    • Archival Preparation
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
    • HCB The Decisive Moment
    • Zambian Portraits
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
    • Diane Arbus Girl Sitting in Bed
    • Paul Strand Wall Street