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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

What Makes a Good Film Camera

9/14/2025

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Picture
That is me with my truth Nikon F2. The shot was made by my son Lucas man-years ago...I had more hair and less gut back then.
I own a great many cameras. In fact, I have only ever sold some F2 cameras that I had purchased to do a CLA and sell to friends (the CLA was free) never making a single dollar on the sale. I love photography and cameras are the essential tool to practice my hobby. Yesterday I took the wife and our youngest to the beach, not really planning on staying too long, just a simple walk along the beach and let the little guy play in the sand and jump in the water. 

I decided to take a camera that I had not used in a very long time. That is to say, I dusted it off, I had replaced batteries, test fired and put back on the shelf for the past few years. Time to have a little fun and shoot another roll through the film. I checked and the latest battery was put in around January of this year so it should be good to go.

The camera selected was a Nikkormat EL. A beast of a camera that represents Nikon's first tentative steps beyond mechanical shutters. After a few hours of shooting, a single roll put through it, I decided to do a little write up on it for my site. You can find it HERE. While writing about the camera I began thinking what makes for a good film camera?

The answer we keep hearing is "the camera you have with you"...ok that makes my cell phone a good camera...which it is but is it really what I am looking for in a camera? No, so there must be more to it.

What is a camera?
A black box that holds the film the right distance away from the lens to ensure that the image is properly captured on the film. It may have, not always, a shutter that helps you control the exposure through the speed that a traveling curtain moves. It may have a viewfinder to show you or give you an approximation of what you will capture.

That is it. The rest is usually done by the lens. So a black box that might have a curtain...simple. Anything more is luxury. If you don't believe me, grab yourself a box camera, load it up with film and take it out using the sunny 16 rule for exposure (it is something special to capture an image with something made in 1902...believe me). You are now completely simplified. This set up is little more than a pinhole camera and it removes all the bells and whistles for you to just focus on your subject and composition.

What is a good camera?
So what makes for a good "black box"? Here I have shot complex cameras such as the Nikon F6, still one of my favorite cameras down to the simplified box camera experience I described above. I believe a good camera boils down to one question...What do you want to accomplish?

If you are experienced and are looking for a camera that allows you to move around on a walking tour of a new city to capture some nice shots along the way...then you are after something that will do allot of the thinking for you...a point and shoot up to a Nikon F6. If you want to really focus on your photography, want complete control and to live in the moment of the capture of the image...then you want a no frills black box.

But frankly an experienced shooter knows the rig they want for their occasion. The ones that need help are those entering into photography. For that I say buy less camera and more film. A camera like the Nikkormat EL is perfect. You can buy one for under USD 100, modern batteries work on it, it has a light meter and it can use a wide variety of Nikon F mount lenses. Spend the USD 200 you are saving to buy 20 rolls of film. Now go out and shoot.
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    Patrick...confirmed film & digital photography addict.

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  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica iiif
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
    • Nikon F6
    • Nikkormat EL
  • Learning Composition
    • Square Composition
    • Leading Lines
    • Symmetry
    • Framing
    • Keep the Right Strong
    • Single & Multi Elements
    • Color in Composition
    • Deep Dive Bubble Man
  • Darkroom Lessons
    • AGO Film Processor
    • Archival Preparation
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
    • HCB The Decisive Moment
    • Zambian Portraits
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
    • Diane Arbus Girl Sitting in Bed
    • Paul Strand Wall Street