Film Still Photography
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica iiif
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
    • Nikon F6
    • Nikkormat EL
  • Learning Composition
    • Square Composition
    • Leading Lines
    • Symmetry
    • Framing
    • Keep the Right Strong
    • Single & Multi Elements
    • Color in Composition
    • Deep Dive Bubble Man
  • Darkroom Lessons
    • AGO Film Processor
    • Archival Preparation
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
    • HCB The Decisive Moment
    • Zambian Portraits
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
    • Diane Arbus Girl Sitting in Bed
    • Paul Strand Wall Street
Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Vacation, Photography & Tourists

8/10/2025

0 Comments

 
Picture
The wife and I just came back from a couple of weeks in France. The above shot was taken on our last day in Paris when, on a whim, we bought last minute tickets to the Louvre. We have been there many times before, so we stayed away from the popular art items and focused on a few of the million other works of art that they display.

As we walked past the Mona Lisa, we felt for all those people. If you have never seen it, having to push through those crowds in order to catch a glimpse seems an awfully high price to pay. But that is more and more the norm. The post covid world has embraced travel like never before, and from some city residents splashing tourists with water, or even the famed Louvre shutting its doors due to too many people, we are beginning to pay the price for it.

How does that affect those of us who love photography? In the digital world, this has become easy with new Post Processing capabilities that allow you to remove people.  Ten years ago, I had to wake up at 5:00am and crawl my way to the Spanish Steps in Rome to capture it without people. Today, you can show up at 7am and click a button.

But for film photographers that just is not an option. The only solutions I see is either go to places where tourists don't go or stick to street photography (this last one a bit tongue in cheek). Let me explain...

In France we spent a few days in Paris and then took the train south. We went through a bunch of small towns in the southern part of France and did not see any tourists at all. English was a no go but people were friendly and happy to see a foreigner. If you dream of shoot the sights of Paris, you have to get up very early or do it in the rain. 
Picture
This image I captured around 7:00am. No person was removed in post processing, going to prove that you can indeed find some empty space, even if just for a few minutes, but you need to get up early.

You will also notice that it was a cloudy day with rain expected to start at 08:00 so most people decided the sleep in. But you need to be ready to take advantage of those little windows of opportunity.  In this case, I had a small tripod with me just in case. 
The other option is to go with street photography.  I say this is a bit of a joke because while we love to take pictures of people on the street we want to photograph locals. Part of street photography is about capturing the people who call that city home. I have no desire to take pictures of some Florida couple, with bright shorts, white hat, and a selfie stick in tow. I want to capture the man carrying a baguette home for lunch...or a local riding a bike to work or a small wedding group...
Picture
Here is a capture so real that it looks unreal. Again this was taken far from Paris, on the streets of Arles. There was a local wedding and these were the early arrivals waiting on the rest of the guests. What caught my eye was the young lady in the white hat. You can see how she is grabbing her skirt with tight anxiety, but her look is of confidence. Again I love these images of the street as long as I get locals in them.  But tourists are not as much fun to capture. They are out of their element and it shows. These, are locals, in their element wondering why I am taking their picture!
So how do we film photographers adapt to this tourist crazy world? Adapt. Get up early, get out in the rain, and go to the small towns, the hard to reach places where you can still see a man, on his bike, with his purse carrying his groceries home.

​Adapt or get used to having a collection of photographs of Floridians traveling...
Picture
0 Comments



Leave a Reply.

    Author

    Patrick...confirmed film & digital photography addict.

    Archives

    September 2025
    August 2025
    July 2025
    June 2025
    May 2025
    April 2025
    March 2025
    January 2025
    December 2024
    December 2023
    August 2023
    July 2023
    April 2023
    March 2023
    January 2023
    March 2022
    January 2022
    December 2021
    November 2021
    October 2020
    August 2020
    June 2020
    May 2020
    April 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    June 2019
    May 2019
    April 2019
    March 2019
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.
Photos from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen, Lars Plougmann, FootMassagez, astrangelyisolatedplace, quinn.anya, spline_splinson
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica iiif
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
    • Nikon F6
    • Nikkormat EL
  • Learning Composition
    • Square Composition
    • Leading Lines
    • Symmetry
    • Framing
    • Keep the Right Strong
    • Single & Multi Elements
    • Color in Composition
    • Deep Dive Bubble Man
  • Darkroom Lessons
    • AGO Film Processor
    • Archival Preparation
    • Building a Sink
    • Air Ventilation
    • Analyser Pro
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • Stick to One Film Stock?
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
    • HCB The Decisive Moment
    • Zambian Portraits
  • Single Image Deep Dive
    • Sergio Larrain "A Man After Dark"
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants
    • Diane Arbus Girl Sitting in Bed
    • Paul Strand Wall Street