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Salzburg, Austria

"No place is boring if you've had a good night's sleep and a pocket full of film." - Robert Adams
​
"Tea first, then photography..." - Philip Lee Harvey

From an Article written by Philip Lee Harvey

Travel Photography Part 1: Planning a Trip

6/19/2017

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Picture
Travel is a modern day luxury. If we go back 80 years or so the only way to travel over great distances was on a boat. A sailing vessel could take a couple of months to complete the crossing, while steam ships reduced the time considerably. Still, trips of any distance took time and a ton of money to make happen.

I travel a great deal, due to work and pleasure. The work trip gives me the airline miles that help fuel my pleasure trips. I also appreciate how lucky I am to be able to travel as much as I do. Even in this day and age, few people have the disposable income to take too many trips. Because of this, I decided to write a series of blog posts on how I plan, execute and follow up with all my trips. Hopefully you will be able to get some ideas from these posts.
Picture
Stock image from 123RF.
One of the most important lessons I have learned in travel photography is that it is all about preparation. The success or failure of your travel photography will be down to your planning. 

I start with a simple Google search for images of the places I am planning on going.  So for this series lets assume that our trip is to Paris France, city of light and love.
I scroll through the images that pop up and I flag the shots I like. We will assume that our trip will take us to Paris for three days, but only one dedicated to photography. This means that we will spend a few days with family looking at museums and the like, but one full day dedicated to photography.
Picture
I note each place I like, the time of day it was shot in and how important that image would be to my portfolio.  I then look to see if I can guess the kind of lens used to capture the image. Was it a wide angle, a normal or a zoom lens? Was the vantage point high or low? You can even print out the picture, cut it out and stick it into your photo notebook, I usually just write the name and location of the image. 
I then download a map of Paris, usually aiming for a tourist map which usually has the key places marked on it. I start to look over the different potential routes, starting with he scene I want to capture in early morning and ending with the scene I want to capture at dusk. I route my path through the city which will allow me to capture everything I want. 
Picture
In the example above I show what I would typically do. So I will start with the Eiffel Tower and end with the Sacre Coeur church. You will see that my walk takes me across the Seine river and allows me to cross a few bridges. This increases my chances of shooting some nice shots along the way. Remember it is not just about the designation but about the walk itself. 

People who have been to Paris will ask me if I would take the subway and my answer is no. Subways are very practical but you see very little of the city. A nice walk is always better that a dark tunnel ride.

I put a small copy of the map in my photo notebook along with my shot list. I will even draw a few of the important shots so that I can visualize it better. Once all safely put in my notebook my planning is done and I am ready to pack. I should mention that I will usually pick a place to have lunch at. Something with some character. With a bit of planning you can avoid finding yourself far from any nice restaurants and lunchtime...remember "tea first, then photography".

​This ends Part1: Planning a Trip
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    Patrick...confirmed film & digital photography addict.

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Photos used under Creative Commons from left-hand, Ant Jackson, Skley, mikecogh, Helen.Yang, TheeErin, Dean Hochman, CJS*64, DaveR1988, FootMassagez, Loco Steve, dmytrok, Christiaan Colen
  • Home
  • About
  • Blog
  • Vintage Cameras
    • Argus 75
    • Brownie Flash II
    • Contax G2
    • Ensign Selfix 820
    • FED-1 (PE0320)
    • Graflex Crown Graphic
    • Ihagee Exa
    • Leica M6
    • Nikon S2
    • Nikon F
    • Nikon F2
    • Nikon F3
    • Nikon FA
    • Olympus OM-1
    • Olympus OM-2 SPOT
    • Olympus Stylus
    • Pentacon Six
    • Pentax Spotmatic IIa
    • Rollei 35
    • Voigtlander 15mm ver III
    • Yashica C
    • Zeiss Ikon Nettar 515/2
  • Learning Composition
    • The Monochrome Diaries
    • Single & Multi Elements
    • Symmetry
    • Keep the Right Strong
    • Framing
    • Color in Composition
    • Deep Dive Bubble Man
    • Photo Assignments
  • Darkroom Lessons
    • Building a Sink
    • Air Ventilation
    • Development Hints
    • Primer for Film Photography
    • Bulk Loading Film
    • Pushing & Pulling Film
    • Color Development
    • Digital Contact Sheets
    • HP5+ Shot at 200 ISO
    • HP5 Shot at 1600 ISO
    • HP5 Shot at 3200 ISO
    • Medium Format
    • Washing Film
    • Split Grade Printing
    • Using Distilled Water in Film Development
    • Darkroom Paper
    • Foma100 EI 400
  • Photography Books & Films
    • Colin O'Brien
    • Lartigue Life in Color
    • Magnum Contact Sheets
    • Top Photography Movies
    • William Eggleston's Guide
    • Helen Levitt
    • Sally Mann Immediate Family
    • Saul Leiter Early B&W
    • Leica 100 yrs
    • Calendar Days of Asaya Hamaya
    • The Decisive Moment
    • Regarding Women
    • Robert Capa in Love and War
  • Single Image Deep Dive
    • Colin O'Brien 'Comings & Goings"
    • Erwitt Mother & Child
    • Man Running
    • Samuel Becket
    • Koudelka Wristwatch
    • Dovima with Elephants